CATALOGUE 

OF 

Mr.  CHARLES  F.  IIASELTINE’S 

COLLECTION 

OF  ' 

OIL  PAINTINGS 


Pk  Hcv 


AND  AQUARELLES, 

Comprising  superior  examples  of  the 

FRENCH,  SPANISH ,  ITALIAN,  GERMAN,  BELGIAN,  DANISH,  ENGLISH  AND 

A  MERICAN  ARTISTS. 


The  whole  Collection  will  be  offered  at  Public  Sale, 


ON  THE  EVENINGS  OF 

Wednesday,  Thursday,  Friday,  Saturday,  Monday 

and  Tuesday, 


December  17th,  18th,  19th,  20th,  22d  and  23d,  1873, 


COMMENCING  EACH  EVENING  AT  7%  O’CLOCK. 


This  Collection  is  now  on  Free  Exhibition, 

DAY  AND  EVENING, 

At  liis  Galleries,  No.  1125  Chestnut  Street,  Philadelphia, 


WHERE  IT  WILL  BE  SOLD. 


VERY  IMPORT** f  NOTICE! 


It  is  a  matter  attended  with  very  great  risk  to  place  before  the 
public  at  auction  such  a  large,  valuable  and  interesting  Collection  of 
Works  of  Art  as  is  here  presented,  but  owing  to  the  late  financial 
panic,  there  has  not  sold  at  private  sale  as  many  paintings  as  in  ordi¬ 
nary  times ;  and,  therefore,  in  order  to  make  room  for  other  pictures 
still  in  the  Custom  House,  Mr.  Haselttne  has  resolved  to  make  this 
sale,  and  has  placed  in  it  not  only  the  valuable  pictures  that  have 
been  seen  before  in  his  Galleries,  and  which  remain  unsold,  but  has 
made  a  large  addition  thereto  of  some  splendid  things  never  before 
seen  in  Philadelphia  and  mostly  fresh  from  Europe.  As  this  is  an 
opportunity  not  likely  to  present  itself  very  often  to  the  public,  viz., 
the  chance  of  making  a  selection  from  so  large,  varied,  valuable  and 
interesting  a  Collection  of  Art;  and  in  order  that  there  shall  be  no 
hindrance  to  the  success  of  the  sale,  owing  to  any  tightness  of  the 
money  market,  the  following  terms  are  proposed : 

All  amounts  over  $500,  30  days’  credit. 

“  “  1000,  60  “  ££ 

££  “  2000,  4  months’  credit. 

££  ££  3000,  6  ££  ££ 

Where  credit  is  given,  approved  endorsed  paper  is  required  j  and 
those  desiring  to  purchase  on  these  terms,  are  requested  to  confer 
with  Mr.  IIaseltine  previous  to  the  sale. 

The  large  proportion  of  the  contents  of  this  Catalogue  will  be 

PEREMPTORILY  SOLD 

WITHOUT  RESERVE, 

so  that  there  cannot  fail  to  be  Bargains  for  those  who  desire  them, 
and  who  will  attend  the  sale. 


The  following  Artists  are  Represented: 


Meissonier, 

Tapiro, 

Grips, 

Chartran, 

Rousseau, 

Vibert, 

Haag, 

Parton, 

B.  C.  Koekkoek, 

Tissot, 

Locker, 

Eyres, 

Kuwasseg,  pere, 

Ferrari, 

Malbranche, 

Blashfield, 

Kuwasseg,  tils, 

Troyon, 

Richard, 

Owston, 

De  Coni  nek, 

Thirion, 

Raflaelli, 

Kemper, 

Louis  Jiminez, 

Signorini, 

Poirson, 

Fennimore, 

Van  Marcke, 

Slmoni, 

Liardo, 

Brevoort, 

Perrault, 

Ricci, 

Seibels, 

Rondel, 

Dehodencq, 

Diaz, 

Calame, 

Bandinini, 

De  Bergue, 

Casanova, 

Barilli, 

Lepinay, 

Castigllone, 

Garcia, 

Saunier, 

Notterman, 

Emile  Breton, 

Santoro, 

Vernier, 

Epp, 

A.  Corrodi, 

Marchetti, 

Veron, 

McClurg, 

H.  Corrodi, 

De  Jonghe, 

Washington, 

Haseltine, 

S.  Corrodi, 

Hamman, 

Roszczewski, 

Delaporte, 

Firmin  Girard, 

Amberg, 

Schlosser, 

Reimer, 

Theo.  Gerard, 

Worms, 

H.  H.  Moore, 

Kalberer, 

Alboy  Rebouet, 

Chevillard, 

Knarren, 

Guy, 

Zamacois, 

Beyle, 

May, 

Leutze, 

Wagner, 

De  Hagemann, 

Beranger, 

Bingami, 

Van  Wyk, 

Boulanger, 

L.  Lasalle, 

Walraven, 

Florent  Willems, 

Rico, 

Koelman, 

Salanger, 

Emile  Levy, 

Pittara, 

Hetzel, 

Linford, 

Van  Wyngaerdl, 

Faustini, 

Franz, 

Simon, 

Jules  Goupil, 

Mattoni, 

Brillouin, 

Tortez, 

Alvarez, 

Moormans, 

Bouguereau, 

Sauvage, 

Lefevre, 

Toeschi, 

H.  Coomans, 

Boese, 

Meyer  von  Bremen, 

Lemaire, 

Jos.  Coomans, 

Marini, 

Giacommotti, 

Roybet, 

Sinkal, 

Moulinet, 

Herbsthoffer, 

Michetti, 

Kaehmerer, 

Van  Severdonclc, 

Karl  Daubigny, 

Melida, 

Carl  Muller. 

Van  Leemputten, 

Otto  Weber, 

Cipriani, 

Jundt, 

Beauverie, 

P.  C.  Compte, 

De  Vega, 

A.  Achenbach, 

Comeleran, 

Chs.  F.  Daubigny, 

De  Garay, 

Benneckenstem, 

Morera, 

F.  Aug.  Bon  lieu  r, 

Defaux, 

Hampe, 

Whiting, 

Landelle, 

Nicholson, 

Hiller, 

Tommson, 

Chaplin, 

Romako, 

St.  Meuris, 

Wharton, 

Wahlberg, 

Marchaux, 

Stiglemeer, 

Buzby, 

Raoul  Marie, 

Bakalowicz, 

Hulk,  Sr., 

Dyke, 

Borrani, 

Caille, 

Shayer, 

Powell, 

Boucherelli, 

Parrot, 

Howse, 

Shearer, 

Felix  Ziem, 

Masse, 

Muller, 

Drinker, 

Boutibonne, 

Le  Grand, 

Wiggins, 

Thoui-on, 

Carolus, 

Leproux, 

Whitman, 

Webber, 

Cecile  Ferrare, 

Liardo, 

Tornmasi, 

Fish, 

Rossi, 

Reinhardt, 

Saurfelt, 

Wall, 

Fortuny, 

Neustadter, 

Timmermans, 

Jarvis, 

Escosura, 

Ribot, 

Ramsey, 

Bodin, 

Cortazzo, 

Andre, 

Verschuer, 

Girardet, 

Agrassot, 

Arnoux, 

Picou, 

Winner, 

Ribera, 

Nottermann, 

Ilofner, 

Sully, 

Richter, 

Accard, 

Gebler, 

La  Blanche, 

Richet, 

Rota, 

Hamilton, 

Woodwell, 

Moreau, 

Fichel, 

Schultze, 

AVilliams, 

Munkacsy, 

Murray, 

Herzog, 

R.  H.  Reed, 

De  Nittis, 

Linder, 

Frankel, 

Briscoe, 

Chavet, 

Maccari, 

Bonnasson, 

Lewis, 

Bertrand, 

Mancini, 

Knight, 

Curnock, 

Journelle, 

Lambron, 

Pecrus, 

Cherubim, 

Jacque, 

Perigeaux, 

O’Neil, 

Chase, 

Seratrice, 

Meadows, 

Gignoux, 

Kensett, 

Tusquetz, 

De  Leuw, 

Van  der  Near, ' 

Bristol, 

Carabain, 

Doll, 

Wm.  Hart, 

Casilear, 

Wilhelmi, 

Geibel, 

Verlat, 

Paletto, 

Schiejes, 

Barri, 

Esbens, 

Litschauer, 

Stache, 

Johnston, 

Kraus, 

Vinck, 

Van  Schendel, 

Prevot, 

Richomme, 

Wall, 

David  Col, 

Van  Haam, 

Steffan, 

Hugo, 

Gus.  Brion, 

Bachelin, 

&c., 

C.  Brun, 

&c.,  &c. 

Linford, 

CATALOGUE 


K 


?'  £ tl  *  - 

r  i< 

J.  B.  BREVOORT,  New  York. 

S-  *  2 

Midsummer  Show<#s. 

Cloudy  Day  in  July. 

V  ”3- 

LUCIAN  BOWELL. 

4- 

Scene  in  Virginia. 

JARVIS,  (deceased.) 

Oil  Sketch — Lady  Reading. 

-7 

J  u  r< sc 

£  5- 

F.  RONDEL,  New  York. 

Winter. 

2^0  ”  6- 

E.  II.  BLASIIFIELD,  New  York. 

Pupil  of  Bonnat. 

l  3-  7. 

Court  Fool  and  Page. 

HERMANN  SIMON. 

/) 

Rough  and  Ready. 

J  S'  8. 

Neptune. 

6 


9.  CARL  SUHRLANDT,  Schwerin. 

Dog  and  Pups  belonging  to  the  Prince  Imperial  of  Russia. 


\ 


P.  SOLTAU,  Paris. 

After  Chaplin. 
Nymph. 


*9-  11. 

t  *  * — f 

>  r  i2-' 


J.  G.  OWSTON,  Pittsburgh. 
Game. 

G.  G.  FISH. 

Among  the  Lilies. 


1  o 

lo. 

EDMUND  D.  LEWIS. 

.  /t  umJ 

Narragansett  Bay. 

2  $' 

14. 

Near  Newport. 

f 

i-'lBT' 

—  « 

15. 

II.  VAN  SEVERDONCK,  Brussels. 

.4  o 

Sheep  in  the  Fields. 

f/° 

\ 

16. 

C.  VAN  LEEMPUTTEN,  Brussels. 

Fowls. 

j  (■'}  Farmyard  Scene. 

4^  / 


7 

A.  VAN  "WYK,  Brussels. 
On  the  French  Coast. 
Dieppe. 


P.  LEPROUX,  Paris. 
View  near  Rheims. 


->«■ 


L.  PERIGEAUX,  Paris. 
Sunset,  near  Paris. 


J.  TOMSONN,  Paris. 
Tangier. 

In  the  Bay  of  Naples. 


J.  SANTORO,  Rome. 
Near  Rome. 


E.  RAFFAELLI,  Paris. 
The  Barn  Yard. 

RAOUL  MARIE,  Paris. 
By  the  "Water  Side. 


8 


T.  BORRANI,  Rome. 
The  Garden  Walk. 


^5"  28 


Sketching  from  Nature. 

This  little  pair  of  paintings  are  worthy  of  the  highest  commendation, 
and  are  really  first  class. 


J.  SAURFELT,  Brussels. 

Bourrav — Seine  et  Ooise. 

v 

St.  Malo — Ille  et  Vilaine. 

Sauerfelt’s  pictures  of  Street  Views  probably  give  more  satisfaction 
than  those  of  any  other  painter.  Not  oDly  does  he  choose  sub¬ 
jects  of  a  most  picturesque  character,  but  treats  the  same  with 
a  skill  and  knowledge,  in  this  department  of  art,  peculiar  to 
himself. 


fpv  3!- 

*  fS" 
1?^  82‘ 


ZACIIERIE  NOTTERMANN,  Paris. 
Temptation. 

A  painting  of  the  highest  class  in  this  line  of  art. 


C.  KUWASSEG,  Fils,  Paris. 
Tocqueville. 


-lOV  33. 


G.  BONNASSON,  Paris. 
Landscape  in  Tuscany. 


A  most  artistic  work. 


G.  IlOWSE,  London. 
Bruges. 


i 


9 


35. 

J4~d  .,?s. 
./*•*•  ? 
0P1 

5 


JAMES  FAIRMAN,  Neiv  York. 
Harvesting — Scene  in  Duchess  Co.,  N.  Y. 


<LJ 


<*0 

L.  TIMMERMANS,  Brussels. 

A  Calm — near  Blankenberghe,  Belgium. 


*  t  V 


37. 


J.  B.  A.  E.  BERANGER,  Paris. 

Medals,  1846  and  1848. 

The  Toilet. 


Finished  in  the  most  careful  and  elaborate  manner.  It  would  be 
difficult  to  find  a  more  delightful  specimen  of  this  artist,  who  is 
world  renowned  both  for  the  subject  of  his  pictures,  as  well  as 
the  careful  and'  conscientious  way  in  which  they  are  finished. 
This  is  certainly  a  gem. 


38.  E.  M.  A.  ANDRE,  Paris. 


The  Argument. 

The  present  works  of  Andre  promise  the  greatest  things,  although  he 
is  well  appreciated  in  Paris  already,  he  has  the  assurance,  it  he 
maintains  his  reputation,  of  obtaining  a  very  high  place  in  the 
estimation  of  those  who  love  and  buy  high  priced  good  art. 


ALEXANDER  CALAME,  (deceased.) 

Medals,  1839  and  1840.  Cross  of  the  Legion  of  Honor,  1841. 

Sketch  from  Nature. 

Anything  by  the  great  Calame  is  difficult  to  obtain,  and  in  a  few 
■years  more  it  will  be  almost  impossible. 


) 


40. .  JEAN  GEORGES  VIBERT,  Paris. 

Medals,  1864,  186T  and  1868.  Cross  of  the  Legion  of  Honor,  1870. 

* 

The  Actor. 


Yibert’s  art  requires  no  comment,  the  subject  selected  is  always  pre 
sented  in  the  most  forcible,  truthful  and  artistic  manner. 


J.  TAPIRO,  Rome. 
The  Mother’s  Pride. 


The  Roman  School  of  Art  has  assumed  of  late  a  place  in  the  world's 
esteem  second  to  no  other — grafted  as  it  is  upon  that  of  the 
French  and  Spanish,  it  disputes  with  them  the  consideration  of 
those  most  cultivated  in  art. 


t  \ 


42. 


L.  ROSSI,  Rome! 
The  New  Painting. 


An  Aquarelle  also  of  the  Roman  School,  of  the  very  finest  charac¬ 
ter.  The  works  of  Rossi  are  well  and  favorably  known  on  this, 
as  well  as  the  other  side  of  the  Atlantic. 


J.  GARCIA,  Rome. 

The  Rendezvous. 

An  oil  painting  of  the  same  interesting  Roman  School. 


44.  V.  MATTONI,  Rome. 

Trying  the  New  Song  of  the  Madam. 

A  choice  example  in  its  artistic  merit,  and  very  droll  and  truthful 
in  subject. 


***** 


11 


I  “A 

Jr 45' 


M.  ARNOUX,  Paris. 
The  Young  Bird. 

A  fine  specimen. 

F.  RICCI,  Rome. 
The  Puzzled  Artist. 


UP  47.  KARL  PIERRE  DAUBIGNY,  Paris. 

Medal,  1868. 

View  on  the  Seine. 


A  landscape  painter  of  the  greatest  promise.  Already  holding  high 
place  in  art,  he  doubtless  will  in  time  take  the  place  of  his  il¬ 
lustrious  parent. 


/  1?  48. 


Ilr't '  A’- 


LEON  RICIIET,  Paris. 

Medal,  1872. 

Beautiful  French  Landscape. 


ALEXANDER  DEFAUX,  Paris. 
Landscape  with  Sheep. 


A  French  landscape  painter,  who  is  likely  to  attain  to  a  prominent 
place  in  the  estimation  of  eminent  critics. 


7 

y,  £,  50. 


EMILE  VERNIER,  Paris. 

Medals,  1869  and  1870. 

View  in  Burgundy. 

A  rapidly  rising  painter  of  landscape  and  coast  views. 


/rt)  :  )n^ 

^  — ©  51. 


JAMES  HAMILTON. 
Beautiful  View. 

This  is  one  of  Hamilton’s  real  artistic  pictures. 


<Ar*7 

//„  2  IS 

/  W  52.  A.  DE  LEUW,  Brussels. 

Taking  Exercise. 

UtrL 


r  Xy  i( ( 
l  '  11 

.  53. 

6  fh 

qpi 

'  2  54. 

r 


One  of  this  artist’s  very  best  examples. 

GEORGE  HETZEL,  Pittsburgh. 
View  near  Williamsport. 

C.  II.  SHEARER,  Reading. 
In  the  Forest. 

H.  W.  KEMPER. 

Lake  George. 


56. 


T.  J.  FENIMORE,  (deceased.) 
Morning  on  the  Juniata. 


/ 


13 


A.  CHERUBINI,  Rome. 
The  Watchful  Mother. 


T.  TAGLIONI,  Rome. 
Sans  Souci. 


P.  F.  WHARTON. 
Opulence  and  Poverty. 


LOUIS  JIMINEZ,  Rome. 

Preparing  for  the  Bull  Ring. 

Very  few  painters  of-  the  Roman  School  have  attained  to  as  high  a 
reputation  as  Louis  Jiminez.  His  art  is  to  be  found  in  the  finest 
galleries  of  amateurs,  and  those  which  are  national. 


J.  DE  NITTIS,  Paris. 
The  Reverie. 


A  splendid  work,  and  one  that  Mr.  Haseltine  commends  to  the  notice 
of  those  loving  the  best  art.  There  is  really  nothing  finer  in  an 
artistic  sense  in  the  collection. 


CARLOS  LOUIS  RIBERA,  Rome. 

Medals,  1839  and  1845. 

Rehearsing  his  Part. 


A  good  artistic  bit  of  one  of  the  older  artists,  showing  a  style  and 
manipulation  fully  up  to  the  requirements  of  the  times. 


14 


63. 

JAMES  TISSOT,  London. 

Medal,  1866. 

The  Abduction. 

Tissot,  though  often  represented  in  this  country,  has  probably  never 
been  so  by  so  splendid  a  production  from  his  pencil.  By  art 
critics  and  collectors,  both  abroad  and  at  home,  this  is  con¬ 
sidered  his  most  famous  picture.  It  is  really  fascinating. 

^  64. 

JEAN  LOUIS  ERNEST  MEISSONIER,  Paris. 

Medals,  1840,  1841,  1843,  1848.  Cross  of  the  Legion  of  Honor,  1S46. 
Grand  Medal  of  Honor,  1855.  Officer  of  the  Legion  of  Honor, 
1856.  Member  of  the  Institute,  1861.  Medal  of  Honor,  1867,  E.  U. 
Commander  of  the  Legion  of  Honor,  1867. 

The  Shoemaker. 

Meissonier  needs  no  introduction — his  fame  is  known  as  far  as  art  is 
appreciated.  The  subject  however  is  somewhat  peculiar,  mili¬ 
tary  pictures  forming  more  especially  his  fancy.  Not  so  expen¬ 
sive  as  his  oil  paintings,  this  Aquarelle  will  however  dignify  any 
collection  of  art  in  which  it  may  be  deposited. 

.  65. 

LEON  Y  ESCOSURA,  Paris. 

The  Decoration  of  Spain. 

The  Conspirators. 

During  the  past  year  the  works  of  Escosura  have  advanced  abroad 
more  perhaps  than  those  of  any  other  artist.  It  has  become 
difficult  to  procure  anything  large  from  his  brush,  excepting  at 
an  enormous  price.  This  little  bit  is  in  his  best  possible  style, 
and  is  altogether  choice. 

66. 

VICTOR  JOSEPH  CHAVET,  Paris. 

Medals,  1863,  1855  and  1857.  Cross  of  the  Legion  of  Honor,  1859. 

The  Artist. 


An  exceedingly  brilliant  picture  of  one  of  Europe’s  most  celebrated 

and  skillful  men. 


15 


P.  MICHETTI,  Paris. 
A  Hat  Full. 

A  choice  little  bit. 


ARTHUR  PARTON,  New  York. 
Scene  on  the  Hudson. 


0.  WAGNER,  Munich. 
Sunrise,  near  Dover. 


C.  H.  SCHIEJES,  Brussels. 
Off  the  Belgian  Coast. 


J.  II.  JOHNSTON,  London. 
View  near  Ostend. 


EDMUND  D.  LEWIS. 
On  the  Susquehanna. 


R.  M.  PARROT,  (deceased.) 
Landscape. 

\ 


16 


J.  F.  KENSETT,  (deceased.) 
Landscape. 


O’NEIL,  London. 
Winter  Sunset. 


S.  P.  DYKE. 

On  the  Beaver  River. 


CHARLES  BEAUMONT. 
Stranded. 


LUCIAN  POWELL. 
Scene  in  West  Virginia. 


J.  BUZBY. 
Sunset. 


W.  WEBBER. 

The  Palisades  on  the  Hudson. 


SECOND  EVENING’S  SALE 


J.  G.  OWSTON,  Pittsburgh. 
Fish. 


J.  CARABAIN,  Antwerp. 
Street  in  Antwerp. 


PAUL  BARRI,  Paris. 
The  Harbor  of  Toulon. 


E.  H.  BLASHFIELD,  New  York. 

Pupil  of  Bonnat. 

Recreation. 


9 


A.  BACHELIN,  Paris. 
A  Bache  Bazook. 


18 


F.  PALLETTO,  Rome. 
Fresh  from  the  Garden. 


JAMES  CURNOCK,  London. 
Gipsy  Encampment., 

F.  WILHELMI,  Brussels. 
The  Chatelain. 

ADOLPHE  STACHE,  Paris. 
La  Toilet  de  Bah 

SALANGER,  Munich. 

The  Tourist. 


h  L 


91. 


A.  VAN  WYNGAERDT,  The  Hague. 
Scene  in  Holland. 


*  / 


92. 

93. 


% 


L.  M.  JOURNELLE,  Paris. 
Charenton — Saint  Maurice. 
Near  Bercy,  on  the  Seine. 


19 


/  < 


H.  VAN  SEVERDONK,  Brussels. 
Sheep  in  the  Field. 

Barn  Yard  F/owls. 


i  9 

C.  VAN  LEEMPUTTEN,  Brussels. 
Fowls. 

Country  Scene. 


/  S~a 

/T 

'J~2 


m 


97a. 


,  N 


tT* 


X  \A 

p . 


' 


.  99. 


H.  HERZOG,  Dusseldorf. 


Norwegian  Waterfall. 


Prof.  A.  DOLL,  Munich. 
Winter  Scene  in  Holland. 
Skating  on  the  Elbe. 


7 


Two  fine  specimens  of  this  fine  painter  of  Belgian  and  German  win¬ 
ter  subjects. 


■  A  " 


ft  ill 

<(>  t 


4  '*  f  * 


Jr  100. 


EMILE  VERNIER,  Paris. 

Medals  1869  and  lSlO. 

Havre. 


Especial  attention  is  requested  to  this  effort  of  Vernier,  as  it  is  in 
his  best  possible  manner.  Any  one  buying  it  will  become  pos¬ 
sessed  of  a  gem  of  art. 


20 


C.  KUWASSEG,  Fils,  Paris. 

Chateaubriand  Castle,  on  the  Normandy  Coast. 

There  has  been  nothing,  by  this  popular  artist,  before  the  public  for 
years  so  well  entitled  to  their  favorable  consideration  and  ap¬ 
plause  as  this  example. 


L.  TIMMERMANS,  Brussels. 

Scene  on  the  Belgian  Coast. 

Timmermans  shows  clearly  in  his  work  the  superior  teaching  of  his 

master,  Clays. 


n  yv* 

j  103. 


JAMES  HAMILTON. 
Steamer  Ashore  and  Breaking  up. 


ISAAC  L.  WILLIAMS. 

Sunset  on  the  Conestoga. 


/  105- 

^  i 


106. 


J.  C.  WIGGINS,  New  York. 

Spring  Morning  in  the  Yalley  of  the  Juniata. 
Winter  Evening  in  the  Blue  Mountains. 


21 


n° 


107. 


V  ✓ 

J;T< 


FERDINAND  ROYBET,  Paris. 

Medal,  1866. 

Still  Life. 

A  grand  still  life,  full  of  the  finest  quality,  but  perhaps  painted  in 
too  low  a  key  to  be  admired  by  those  not  up  in  art  matters. 

c\J 


108. 


MILNE  RAMSEY. 

•  Objects  of  Art  and  Nature. 

The  paintings  of  Ramsey  are  well  known  amongst  us  as  being  the 
best  of  their  kind,  and  better  than  similar  subjects  painted  by 
the  greater  portion  of  European  painters. 


,ih 

y fT yv  / 


o 


'4P 


A  >  / 

/  L/i  I 

T\ 


109. 


LEON  ROUSSEAU,  Paris. 
The  Jewel  Casket. 

Most  carefully  and  beautifully  executed. 


110. 


m. 

>/ 


EDOUARD  J.  C.  HAMMAN,  Paris. 

Medals,  1853,  1855,  1859,  1863 ;  Cross  of  the  Legion  of  Honor,  1864. 

Tender  Moments. 

The  reputation  acquired  by  Harnman  is  not  to  be  wondered  at,  while 
contemplating  this  work  of  his  genius. 


F.  H.  GIACOMMOTTI,  Paris. 

Prize  of  Rome,  1854;  Medals,  1864,  1865  and  1866;  Cross  of  the 
Legion  of  Honor,  1867. 

The  Reverie. 

An  exquisite  picture  that  is  well  known  to  the  art  public,  through 
the  beautiful  engraving  taken  from  it. 


'  22 

EMILE  LEVY,  Paris. 

Grand  prize  of  Rome,  1854;  Medals,  1859,  1864  and  1866;  Cross  of 
the  Legion  of  Honor,  1867  ;  Medal,  1867,  E.  U. 


Watching  and  Waiting. 


A  real  connoisseur  picture. 


) 


113.  LOUIS  JIMINEZ,  Rome. 

t 

The  Attentive  Listner. 

This  is  the  only  specimen  by  this  eminent  artist  painted  in  oil  in  the 

collection. 


114.  JAMES  BERTRAND,  Paris. 

Medals,  1861,  1863  and  1869. 

Drowned. 

This  the  original  of  the  large  painting  of  the  same  owned  by  the 
French  Government,  is  considered  by  connoisseurs  as  being  in 
many  artistic  qualities  superior. 


B.  BARILLI,  Rome. 
The  Fast  Friends. 


Certainly  a  most  engaging  work ;  and  being  so  beautiful  in  subject, 
together  with  its  high  order  of  art,  must  be  one  of  the  popular 
pictures  of  the  collection. 


E.  TOMMASI,  Rome. 

Laying  Down  the  Law. 

A  picture  full  of  spirit  in  more  senses  than  one;  and  the  ridiculous 
personage  in  the  picture  gives  manifestation  of  just  how  people 
act  under  similar  circumstances,  belong  they  either  to  military 
or  civil  life. 


23 


A.  FAUSTINI,  Rome. 
The  First  Kiss  of  Love. 


A  fresh  new  picture  by  one  of  Italy’s  celebrated  painters,  and  full  of 
tender  sentiment. 


J.  SIGNORINI,  Rome. 
The  Little  Peasant  Girl. 


1X7 

<  119. 

I  /  V 


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V 


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1 1 


Li  o 


120. 

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T 

y 


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121. 


a 


An  exceedingly  pleasant  and  well  executed  little  picture. 

E.  RAFFAELLI,  Paris. 

First  Love. 

RAOUL  MARIE,  Paris. 

The  Mischievous  Boy. 

E.  M.  A.  ANDRE,  Paris. 

The  Postillion. 


This  is  one  of  Andre’s  really  successful  and  clever  little  bits.  His 
art  is  always  desirable,  and  this  especially  so. 


C?< 


122. 


THEODORE  GERARD,  Brussels. 
The  Family  Treasure. 


The  two  paintings  in  the  sale  by  this  favorite  painter  are  choice 
expressions  fresh  from  his  easel,  and  are  well  calculated  to  give 
pleasure  to  their  possessor,  whoever  he  may  be. 


24 


123. 


LEON  CAILLE,  Paris. 

Dolly’s  Breakfast. 

It  is  not  too  much  to  say  about  this  beautiful  gem,  that  it  would 
adorn  any  gathering  of  art  in  the  city. 


i 


124. 


A.  GRIPS,  Brussels. 
A  Flemish  Interior. 


Very  carefully  and  conscientiously  painted.  The  subject  is  one  that 
the  publie  always  delight  in. 


125. 


126. 


/ 


P.  SAUVAGE,  Paris. 
The  Little  Worker. 

L.  RICHARD,  Paris. 
Interior,  with  Figure. 


127. 


/  fL 


J.  WALRAYEN,  Dusseldorf. 
Out  from  School. 


**  128. 

S" 


.A  4 


L.  LOCKER,  Brussels. 

Vw  7 

Peasant  Life  in  England. 


c,/ 


25 


* 


B.  C.  KOEKKOEK,  (deceased.) 
Belgian  Landscape. 


The  good  works  of  Koekkoek  have  become  of  late  years  exceedingly 
rare,  and  dealers  even  experience  great  difficulty  in  obtaining 
a  specimen.  This  unusually  good  one  is  presented  with  the 
hope,  that  those  interested  in  the  best  foreign  landscape  art  will 
not  permit  it  to  sell  below  its  value,  for  it  would  be  exceedingly 
difficult  to  replace  it  with  one  so  excellent. 


EMILE  ADELARD  BRETON,  Paris. 

Medals,  1866,  1867  and  1868. 

Landscape  View  in  Champagne. 


Particular  attention  should  be  given  by  art  connoisseurs  to  this  pic¬ 
ture,  as  being  one  of  the  noble  productions  of  the  skillful  brush 
of  a  world-wide  painter. 


.  .  131.  EMILE  VERNIER,  Paris. 

Medals,  1869  and  1870. 

Garden  Scene  in  the  South  of  France. 

All  the  productions  of  Vernier  are  those  of  genius,  and  never  does 
he  present  anything  that  does  not  please  the  eye  and  engage 
the  attention. 


132.  J.  SANTORO,  Rome. 

On  the  Tiber. 


Clear  in  atmosphere,  truthful  in  detail,  as  well  as  beautiful  and  ar¬ 
tistic  in  definition,  it  is  a  picture  that  an  art  lover  should  buy. 


26 


133. 


G.  W.  NICHOLSON. 
Coast  of  Holland. 


All  of  Mr.  Nicholson’s  art  commends  itself,  but  this  beautiful  picture 
should  command  the  attention  and  interest  of  every  one  inter¬ 
ested  in  the  progress  of  art. 


GEORGE  HETZEL,  Pittsburgh. 
View  near  Washington,  Pa. 


Most  artists  have  their  distinctive  peculiarities,  and  none  more  so 
than  Hetzel,  and  none  more  successful  in  placing  upon  canvas 
the  phases  of  nature  that  he  so  much  loves. 


/-  135.  J.  F.  BOESE. 

Scene  in  Montgomery  County,  N.  Y. 


J 

136.  T.  J.  FENIMORE,  (deceased.) 

Hunter’s  Crossing,  at  Anvil  Rock,  W.  Ya. 


EDMUND  D.  LEWIS. 
Castle  Els,  Germany. 


P.  VAN  DER  NEER,  Brussels. 
Pet  Dogs. 


138. 


27 


139.  P.  VAN  HAAM,  (deceased.) 

Still  Life. 


A  perfectly  beautiful  old  picture,  and  well  worthy  of  any  collection 

of  art. 


i 


140.  GUSTAVE  DE  JONGHE,  Paris. 

Medals,  1863,  1868  and  1870. 

The  Music  Lesson. 

During  the  past  year  the  works  of  De  Jonghe  have  met  with,  in  his 
case,  an  unprecedented  demand  ;  and  it  is  admitted  that  he  will, 
without  doubt,  be  the  successor  of  Alfred  Stevens  in  the  esti¬ 
mation  of  connoisseurs. 


141.;  FORTUNY,  Rome. 

'540 

Interior  of  an  Eastern  Stable — Arousing  a  Lazy  Mule. 

The  great  painter,  during  the  last  few  years,  has  created  an  extra¬ 
vagant  delight  and  enthusiasm  in  the  whole  art  world,  and  is 
everywhere  recognized  as  one  of  its  very  greatest  men.  It  is 
almost  impossible  to  obtain  a  picture  bjr  him  of  any  description, 
even  in  Europe,  and  this  is  probably  the  second  ever  offered  for 
sale  in  this  country.  An  aquarelle  of  his  was  lately  sold  in 
Paris  for  20,000  francs. 


142.  LEON  Y  ESCOSURA,  Paris. 

The  Decoration  of  Spain  and  several  distinctions. 

Fully  Absorbed. 

It  would  seem  to  be  unnecessary  to  call  attention  to  a  picture  by 
Escosura,  as  his  name  and  his  art  are  so  well  known  to  the 
whole  community,  and  y,  is  particularly  unnecessary  to  speak 
of  such  a  perfect  little  gem  of  art. 


ir 

143.  CHARLES  LEFEVRE,  Paris. 

Medals,  1833,  1845,  1855;  Cross  of  the  Legion  of  Honor,  1859. 

The  Lesson. 

Finished  in  the  most  careful  and  elaborate  manner. 

L.  ALVAREZ,  Paris. 

The  Dancing  Lesson. 

ure,  by  one  of  the  most  illustrious  of  the  Roman- 
Spanish  artists. 

G.  FERRARI,  Rome. 

Curiosity. 

The  works  of  Ferrari  are  not  often  seen  in  this  country.  His  pic¬ 
tures  are  fine  works  of  art,  and  are  expensive.  Mr.  Haseltine  is 
satisfied  that  they  will  meet  with  the  approval  of  the  public. 


146.  LOUIS  JIMENEZ,  Rome. 

The  Old  Beau. 

As  elsewhere  remarked,  Louis  Jiminez  is  one  of  the  most  illustrious 
of  this  celebrated  assemblage  of  Roman  painters. 


147.  N.  CIPRIANI,  Rome. 

Watching  the  Balloon. 

The  only  painting  by  Cipriani,  it  is  entitled  to  great  consideration 
from  Amateurs,  not  only  on, that  account,  but  also  for  its  great 
merit. 


29 


^>1 


148.  T.  AGRASSOT,  Rome. 

Self-satisfaction. 

One  of  the  very  best  specimens  of  the  art  of  Italy,  and  the  only  one 
by  Agrassot  in  the  collection.  , 


149. 

Z> 


A.  CASANOVA,  Rome. 
Poetical  Recitation. 


(\P 


4 


•y 


Casanova’s  pictures  command  quite  high  sums  for  their  possession. 

Jin  the  Everard  Sale  in  New  York  last  Spring,  an  oil  picture  half 
this  size  brought  $105^.  There  is  another  picture  on  the  back 


of  this  one,  quite  as  good,  by  the  same  artist. 


50 


150.  C.  MACCARI,  Rome. 

_  (SctCv-hJ 

The  Reverie. 

Without  the  high  finish  of  many  of  the  pictures  that  have  preceded 
it,  this  specimen  of  Maccari  gives  evidence  in  itself,  of  the  per¬ 
fect  understanding  of  the  artist,  in  its  production.  Every  touch 
of  the  brush  is  a  success,  and  the  whole  a  masterpiece. 


*  t 


/ 


151. 


m 


V 


CHARLES  IIERBSTHOFFER,  Paris. 

The  Freebooter. 

Herbsthoffer  has  always  been  popular  with  American  buyers,  and 
several  of  his  very  fine  works  are  owned  in  this  city. 


ORESTE  CORTAZZO,  Paris. 
The  Garden  Ramble. 


A  choice  example  of  one  of  the  best  known  and  best  esteemed  artists 

in  Europe. 


153. 


D.  BOUCHERELLI,  Rome. 


Waiting. 

An  Aquarelle  of  fine  character,  and  interesting  in  subject,  color  and 

drawing. 


i  /) 

/  v 

,  A 

154.  L.  HAAG,  Paris. 

The  Young  Jlel  per. 

A  beautiful  little  gem. 

I 


I 


/{ 

155. 

MULLER,  Paris. 

The  Child’s  Prayer. 

-  ✓  ^ 

156. 

EDMUND  D.  LEWIS. 

Lake  George. 

f/l«  ‘ 

6° 

a  ^  j 

157. 

CHARLES  BEAUMONT, 

Lake  George. 

F.  WHITMAN. 
The  Half  Way  House. 


S.  P.  DYKE. 

View  on  the  Upper  Alleghany. 


H.  W.  WHITING. 
On  the  Kanawha. 


32 


,  v 

THIRD  EVENING’S  SALE 


2-jS 


161. 


A.  S.  WALL,  Pittsburgh. 
View  in  Pennsylvania. 


i-  162. 

163. 

* 


N.  MORTIMER,  Paris. 
French  Landscape. 
Scene  in  Normandy. 


164. 

. 


W.  H.  WHITING. 
On  the  Kanawha. 

J 


165. 


HERMANN  SIMON. 
The  Drawing  Room  Pet. 


r'p,  yD  w 

166.  S.  P.  DYKE. 


Pilot  Knob  on  the  Missouri. 


33 


167. 

EDMUND  D.  LEWIS. 

l.t) 

168. 

v. 

From  the  Intervale  House,  North  Conway. 
Saco  River  and  Mount  Washington. 

if' 
7  o 

169. 

H.  KALBERER,  Munich. 

/ 

yd 

170. 

Der  Walchensee  im  Bayer  Hochgebirge. 

Gebend  of  Eibsee. 

/ 

/K 

7  > 

#»*-  i  / 

A. 

The  two  best  we  have  had. 

n 

,171.  rr. 

PROF.  A.  DOLL,  Munich. 

f 

* 

/ 

w 

Rusichs  von  Lanfenberg  aux  Rhein. 

;v 

172.  ■ 

Winter  Scene  in  the  Tyrol. 

£/ 

173. 

A  pair  of  this  artist’s  creditable  works. 

S.  J.  GUY,  New  York. 

•  ?  *  ( 
•if* 

174.  ^ 

Ox  Team. 

G.  HAMPE,  Munich. 

Mf 

L  / 

i  h 

tor  1 

175. 

Landscape  in  Bavaria. 

Lake  Thoun. 

176. 

C.  VAN  LEEMPUTTEN,  Brussels. 

i  / 

*  t  k  * 

Fowls. 

\mF^  V 

/>?N 

x 

177. 

Barn  Yard  Scene. 

\ 

3 

34 

178.  CHARLES  EMILE  JACQUE,  Paris. 

Medals,  1861,  1863,  1864.  Cross  of  the  Legion  of  Honor,  1867. 

The  Farm  House. 

* 

The  paintings  of  Jacque  have  advanced  during  the  last  year  perhaps 
as  much  as  those  of  any  other  artist,  and  they  now  command 
prices  that  are  given  for  works  by  Diaz,  Rousseau,  Daubigny, 
Corot,  and  the  very  best  painters. 

RAOUL  MARIE,  Paris. 

'  # 

In  the  Court  Yard. 

This  is  the  best  picture  by  this  artist  ever  in  Philadelphia. 

180.  EMILE  VAN  MARCKE,  Paris. 

Medals,  1867,  1869  and  1870.  Cross  of  the  Legion  of  Honor,  1872. 

Landscape  and  Cattle. 

The  works  of  ^his  artist  command  prices  like,  and  are  esteemed  equal 
to,  Rosa  and  Auguste  Bonheur,  and  even  Troyon,  his  master. 

H.  HERZOG,  Dusseldorf. 

Ferryboat  by  Moonlight,  Hoboken. 

A  beautiful  and  interesting  picture. 

F.  MANCINI,  Rome. 

Harvesting,  near  Rome. 

A  truthful  and  conscientious  picture  of  a  high  class. 


'  '/  /  / 

tjif'  1 

.  -■  180a. 

/  / 


181. 


35 


A.  DE  LEIJW,  Brussels. 

Country  Experiences. 

companion  picture  by  the  same  artist  in  this  sale,  are 
equal  to  anything  ever  shown  by  the  artist. 

E.  MELIDA,  Rome. 

The  Arrival  Home. 

A  careful  and  agreeable  rendering  of  an  everyday  subject  in  Spain. 

AWJ  .  * 

^  it* 

f 

184.  GUSTAVE  HE  JONGHE,  Paris. 

Medals,  1863,  1868  and  1870. 

Ready  to  Receive. 

De  Jonghe,  in  this  painting,  has  certainly  outdone  even  himself.  It 
was  valued  in  the  Derby-Everard  collection  at  $2500. 


185.  C.  EDOUARD  BOUTIBONNE,  Paris. 

i 

Medal,  1847. 

C’est  Lui ! 

During  the  last  five  years,  it  seems  as  though  the  whole  world  was 
in  competition  to  secure  good  specimens  of  this  painter.  Cer¬ 
tainly,  nothing  superior  by  him  has  ever  been  seen  in  Philadel¬ 
phia. 


CHARLES  CHAPLIN,  Paris. 


Medals,  1851,  1852  and  1865;  Cross  of  the  Legion  of  Honor,  1865. 


Preparing  for  the  Bath. 

In  the  subject  matter  of  his  pictures,  and  in  the  peculiar  method  of 
treatment  adopted,  Chaplin  stands  unrivalled.  The  refinement, 
delicacy,  and  grace  of  the  specimen  before  us,  would  make  a 
great  reputation,  did  he  not  already  possess  one. 


187.  P.  C.  COMPTE,  Paris. 

Medals  1852,  1853,  1855  and  1857.  Cross  of  the  Legion  of  Honor, 
1857.  Medal,  1867,  E.  U. 

Curiosity. 

Painted  in  the  very  best  manner  by  Compte,  and  unusually  good  in 
subject.  The  beauty  of  the  picture  is  manifest,  and  the  fame  of 
the  artist  world-wide. 


188.  CHARLES  LANDELLE,  Paris. 

Medals,  1842,  1845,  1848  and  1855.  Cross  of  the  Legion  of  Honor, 

1855. 

The  Beautiful  Zerlina. 

Landelle  is  always  beautiful  in  his  art ;  subject,  color,  form  and  tone, 
find  always  proper  rendering  from  his  skillful  brush.  This  is  a 
picture  to  be  loved. 

■i 

189.  G.  CASTIGLIONE,  Paris. 

Inspecting  her  Treasures. 

A  choice  picture  by  an  artist  who  is  justly  obtaining  a  first  place  in 
art  estimation. 


190.  P.  SERATRICE,  Rome. 

The  Siesta. 

In  the  style  which  made  Zamacois  so  famous,  it  is  so  well  done  that 
it  will  commend  itself  to  amateurs. 


191.  M.  DE  GARAY,  Paris. 

Rival  Suitors. 

A  perfectly  brilliant  little  painting,  in  the  best  manner.  The  subject 
is  exceedingly  attractive  and  well  expressed. 


37 


S' 


192. 


M.  POIRSON,  Paris. 
The  Favorite  Dining  Place. 


Although  this  is  the  first  by  this  artist  that  Mr.  Haseltine  has  received, 
it  has  so  commended  itself  to  him  by  its  fine  qualities  as  to  make 
it  probable  that  others  will  follow  as  he  has  opportunity  to  pur¬ 
chase. 


4  •/'  193.  PEDRO  DE  VEGA,  Rome. 

Matadore  in  a  Spanish  Wine  Shop. 


A  little  gem,  that  is  superb  in  every  respect,  color,  drawing  and  sub¬ 
ject.  Any  collection  in  the  country  could  well  afford  to  exhibit 
so  beautiful  a  picture. 


LITSCHAUER,  (deceased). 
The  Armourer. 


One  of  the  best  German  pictures  in  the  sale,  and  by  a  celebrated  man. 


195. 


ALBERT  LAMBRON,  Paris. 
Seeking  for  Knowledge. 


Can  any  one  having  the  least  appreciation  for  Fine  Art  fail  to  perceive 
the  splendid  qualities  in  this  marvellous  little  picture.  It  is  one 
of  those  that  can  never  fail  to  secure  pleasure  to  its  owner. 


^  r  ’ 

h  t  a 

^  i  196.  P.  LINDER,  Paris. 

Garden  Scene  during  the  French  Revolution. 

A  beautiful  artistic  picture  that  truthfully  represents  the  period  of 
the  Revolution.  The  art  in  it  is  splendid,  but  the  moral  none 
of  the  best. 


197.  G.  SIMONI,  Rome. 

The  Morning  after  the  Ball. 

This  Aquarelle  is  superb,  really  superb,  and  cannot  fail  to  receive 
from  every  one  such  a  recognition.  The  artist  has  made  every 
touch  effective  and  beautiful.  It  should  sell  for  a  large  price. 

v*'  '  11 

J 

198.  PIERRE  DE  CONINCK,  Paris. 

Medals,  1866  and  1868. 


The  Pretty  Violinist. 

There  has  never  been  so  important  a  picture  by  this  artist  imported 
into  the  country.  Commanding  as  he  does  exceedingly  high 
prices  abroad,  his  best  art  has  been  appropriated  there,  and  is 
has  been  heretofore  only  through  his  inferior  works  that  he  has 
been  known  to  Americans,  although  even  through  them  he  has 
secured  a  lasting  place  in  their  esteem. 


199. 

CARL  SCHLOSSER,  Paris. 

How  much  a  Piece  ? 

Full  of  sentiment  and  fine  feeling,  and  represented  in  a  fine  artistic 
manner,  it  forms  a  picture  that  would  adorn  any  collection. 

jnr  jT 

200. 

ALBOY  REBOUET,  Paris. 

On  the  Terrace. 

A  beautiful  work  of  art,  both  in  subject,  color  and  drawing. 


201.  H.  HUMPHREY  MOORE,  Tangier. 

Gipsy  Family,  near  Granada. 

This  picture  is  the  production  of  one  of  the  most  talented  of  our 
American  painters  abroad.  Mr.  Moore  bids  fair  to  win  for  him¬ 
self  a  high  place  in  the  World  of  Art. 


— — 


202. 


C.  N.  GEBLER,  Munich. 
Safely  Housed — Sheep  in  the  Stable. 


R.  SHAYER,  London. 
Cattle  in  the  Stable. 


A  most  exquisitely  finished  and  beautiful  picture. 


yir 

204. 


L.  TIMMERMANS,  Brussels. 
Off  the  Belgian  Coast. 


C.  PITTARA,  Rome. 
The  Fox  Hunt. 

A  perfectly  splendid  work  of  art. 


ISAAC  L.  WILLIAMS. 

Sand  Hills  of  the  Juniata. 

Nothing  finer  by  Mr.  Williams  has  ever  been  produced. 


GEORGE  HETZEL,  Pittsburgh. 
Scene  in  the  Vicinity  of  Lock  Haven. 


40 


208. 


J.  R.  WOODWELL,  Pittsburgh. 
Cernay  la  Yille. 

This  picture  was  painted  in  Paris. 


209.  yjf  '  WILLIAM  HART,  New  York. 


Lake  George. 


210. 

,  $  i 


J.  W.  CASILEAR,  New  York. 
Lake  Windermere. 


\y 

h 


■  ,  gv* 

211. 


PAUL  PREVOT,  Paris. 
On  the  Coast  of  France. 


212.  NARCISSE  DIAZ  DE  LA  PENA,  Paris. 

Medals,  1844,  1846,  1848.  Cross  of  the  Legion  of  Honor,  1851. 

Fontainebleau. 

Mr.  Haseltine  recommends  those  desiring  paintings  by  this  artist,  to 
secure  them  while  they  can,  for  dealers  are  finding  it  to  their 
interest  to  ship  all  they  can  find  and  buy  to  Europe,  where  they 
command  exceedingly  high  prices. 


LEON  RICHET,  Paris. 

Picardie. 

A  splendid  example  of  a  rapidly  rising  painter.  The  art  is  good,  and 
should  find  appreciation  with  the  best  informed. 


41 


214. 


V.  THIRION,  Paris. 
Lily’s  Morning  Meal. 


It  is  not  often  that  so  attractive  a  picture,  both  in  subject  and  treat¬ 
ment,  is  presented  to  the  public  to  purchase,  and  it  must  prove 
to  its  possessor  that  indeed  “  a  thing  of  beauty  is  a  joy  forever.” 


'aris. 


Although  we  cannot  hear  them,  it  requires  but  little  effort  of  the 
imagination  to  recognize  that  nothing  else  would  harmonize 
with  the  artistic  qualities  of  the  picture. 


LOUIS  LASALLE,  Paris. 
The  Young  Favorite. 


I  I 


Ol  1 


A.  ROMAIvO,  Rome. 
The  Star  of  Hope. 


W.  M.  CHASE,  St.  Louis. 
The  Dessert  Table. 


R.  TUSQUETZ,  Rome. 


On  the  Outskirts  of  Rome. 


Nothing  in  the  collection  is  really  so  wonderful  and  surprising  in  its 
art,  as  well  as  in  its  result.  A  steep  by-way  of  Rome  seems 
brought  before  us  in  all  its  vivid  reality.  Out  of  a  most  uninter¬ 
esting  place,  the  artist  has  created  a  picture  that  secures  our 
warmest  approval  and  our  loudest  praise. 


\ 


42 


H.  GEIBEL,  Munich. 

Ueberlingen. 

In  the  Mountains  of  Bavaria. 

This  pair  of  paintings  by  Geibel,  are  exceedingly  attractive  in  subject 

and  treatment. 


jfl 


222.  G.  W.  NICHOLSON. 

On  the  Welsh  Coast,  at  the  Mouth  of  the  Menai  Straits. 

This  is  another  of  the  choice  expressions  of  Nicholson’s  skilful  pencil. 


GEORGE  HETZEL,  Pittsburgh. 
View  near  Duncannon,  Pa. 

An  attractive  picture. 


EMILE  VERNIER,  Paris. 

Medals,  1869  and  1870. 
French  Landscape. 


J.  SANTORO,  Rome. 
Rome. 


H.  J.  THOURON. 
Summer  Rambles. 


43 


t  D 


E.  RAFFAELLI,  Paris. 
On  the  Outskirts  of  Paris. 


'/ft  228. 

!@yn  229. 


J.  SAUERFELT,  Brussels. 
Plombieres. 

Rhetel. 


w 

230 


•  No  one  of  all  the  street  scene  painters  of  Europe  can  surpass  Sauerfelt 
in  their  proper  and  artistic  rendition. 


'  MILNE  RAMSEY. 

Objects  of  Art  and  Nature. 

Still  Life. 

A  fine  pair  of  this  justly  celebrated  artist’s  work. 

ARTHUR  PARTON,  New  York. 
Lake  au  Sable — Adirondacks. 


L.  TIMMERMANS,  Brussels. 
A  Calm,  near  Scheveningen. 

RENE  MENARD,  Paris. 

Pupil  of  Troyon. 

Landscape  and  Cattle. 


44 


J.  B.  BRISTOL,  New  York. 

The  Old  Dock  at  St.  Augustine,  Florida. 


J.  W.  CASILEAR,  New  York. 
Landscape  and  Cattle. 


W.  AMBERG,  Berlin. 

The  Stolen  Interview. 
A  picture  of  the  highest  class 


CHARLES  BEAUMONT. 
Lake  Cayuga. 


S.  P.  DYKE. 

On  the  Alleghany  River. 

LUCIAN  POWELL. 
View  in  West  Virginia. 


45 


FOURTH  EVENING’S  SALE. 


241.  S.  P.  DYKE. 

Scene  in  Western  Pennsylvania. 


242.  EDMUND  D.  LEWIS. 

Narragansett. 

243.  View  near  Newport. 


244.  CARL  SUHRLANDT,  Schwerin. 

Monk. 


245. 


246. 


J.  JALON,  Paris. 
Venice.  ' 

Venice — Companion. 


46 


247.  N.  MORTIMER,  Paris. 

Scene  on  the  Moselle. 

248.  French  Landscape. 

249.  HERMANN  SIMON. 

The  Household  Guard. 

250.  The  Faithful  Companion. 

.  * 

251.  EMILE  VERNIER,  Paris. 

Medals,  1869  and  1870. 

On  the  French  Coast. 

A  splendid  work  of  art. 

252.  A.  S.  WALL,  Pittsburgh. 
Scene  in  Western  Pennsylvania. 

253.  T.  J.  FENIMORE,  (deceased.) 

On  the  Brandywine. 

254.  Lake  George. 

255.  ISAAC  L.  WILLIAMS. 

Mount  Orford,  Canada. 


47 


256.  J.  SANTORO,  Rome. 
On  the  Way  to  Rome. 

257.  E.  RAFFAELLI,  Paris. 
On  the  Outskirts  of  Paris. 


258.  M.  ARNOUX,  Paris. 

The  Young  Bird. 

A  beautiful  picture. 


259. 


i 


C*  260. 
1  J 


E.  M.  A.  ANDRE,  Paris. 
A  Day’s  Sport. 

Choice,  though  small. 


THEODORE  GERARD,  Brussels. 
The  Portfolio. 


Perhaps  the  finest  specimen  of  this  artist  to  be  found  in  the  country 

for  sale. 


261. 


LEON  CAILLE,  Paris. 
First  Lesson. 

A  perfectly  lovely  little  picture. 


48 


i 


r 


262. 


GRIPS,  Brussels. 
Flemish  Interior. 

Finely  and  conscientiously  painted. 


263. 


0.  BANDININI,  Rome. 
The  Friendly  Visit. 


Painted  with  all  the  richness  and  brilliancy  of  the  present  luxurious 

Roman  School. 


VICTOR  TORTEZ,  Paris. 
The  Rivals. 

i 


. 


A  subject  interesting,  and  treated  in  a  peculiarly  attractive  and  for¬ 
cible  manner.  The  page  in  grey  tights  certainly  seems  deter¬ 
mined  that  the  other  gentleman  shall  not  pay  attention  in  the 
direction  of  his  thoughts,  if  he  can  help  it. 


J.  LOCKER,  Brussels. 
Episode  in  Belgian  Life. 


G.  SIMONI,  Rome. 
The  Dessert. 


This  is  the  finest  Aquarelle  that  Mr.  Haseltine  has  ever  seen  by 
Simoni,  and  is  such  an  one  as  any  amateur  might  be  proud  in 
adding  to  his  collection  of  art,  however  brilliant  that  might 
be.  Without  question,  his  reputation  in  America  will  soon 
equal  that  which  he  already  enjoys  in  Europe. 


LOUIS  JIMINEZ,  Rome. 
The  Picnic. 


f 


267. 


Another  master-piece  of  this  splendid  painter ;  it  would  be  difficult 
to  imagine  how  it  could  be  better  artistically.  It  certainly  pos¬ 
sesses  the  finest  qualities.  It  should  command  a  high  price. 


I 


c  268. 


J  ‘ 


269. 


il 


270. 


I  /n 

ri' 


271. 


f * 

*vL j 

272 


EDOUARD  RICHTER,  Paris. 
The  Stroll  by  the  Brook. 

V.  CHEVILLARD,  Paris. 
Overcome  with  Sleep. 

RENE  LE  GRAND,  Paris. 
Taking  Refreshment. 

PIERRE  M.  BEYLE,  Paris. 
The  Performer’s  Pet. 


272.  CARL  JOSEPH  KUWASSEG,  Pere,  Paris. 

Medals  1845,  1861  and  1863. 

Alpine  Torrent. 

What  can  be  said  that  shall  do  justice  to  so  beautiful  a  work  of  art? 
It  certainly  would  be  superfluous  to  more  than  direct  attention 
to  it,  and  leave  it  to,  as  it  does  so  powerfully,  speak  for  itself. 

4 


50 


ANDREAS  ACHENBACH,  Dusseldorf. 

Medals,  1839,  1845,  1848  and  1855.  Cross  of  the  Legion  of  Honor, 
1864.  Medal,  1867,  E.  U.  Grand  Gold  Medals  of  Prussia  and 
Belgium.  Chevalier  of  the  Legion  of  Honor,  and  of  the  Order 
of  Leopold.  Member  of  the  Royal  Academies  in  Berlin,  Amster¬ 
dam  and  Antwerp. 


On  the  French  Coast. 


,  -J- 


S° 


The  paintings  of  Achenbach  are  very  high  and  very  hard  to  procure. 

TONY  DE  BERGUE,  Paris. 

Dieppe. 


/  .*/  275 

T 


Especial  attention  is  requested  to  this  specimen  of  De-Bergue.  It  is 
not  too  much  to  say  that  nothing  finer  by  him  has  ever  been 
exhibited. 

f  lO 


/ 

Jj  276' 


GAILLARD  LEPINAY,  Paris. 
Off  Calais. 

A  beautiful  marine. 


MARTIN  RICO,  Paris. 

Medal,  1870. 

The  Old  Mill. 


This  beautiful  Aquarelle  by  Rico  is  the  only  one  for  sale  in  the 

country. 


GEORGE  HETZEL,  Pittsburgh. 
View  near  Lock  Haven. 


i 


-./(  A  1  '*"* 

7  lj 

28i. 


51 

EMILE  VERNIER,  Paris. 

Medals,  1869  and  1870. 
French  Landscape. 


J.  SANTORO,  Rome. 
Near  Rome. 


J.  DE  NITTIS,  Paris. 
Twilight. 


JAMES  HAMILTON. 
Sunrise  off  Boston  Harbor. 


T.  J.  FENIMORE,  (deceased.) 

The  Ferry — Scene  on  the  Susquehanna. 


CHARLES  SEIBELS,  Dusseldorf. 
Holland  Landscape  with  Cattle. 


A  picture  with  the  finest  qualities  of  Andreas  Achenbach,  and  in 
itself  without  a  fault.  Really  a  great  work. 


52 


284.  H.  CORRODI,  Rome. 

View  on  the  Seine. 

285.  On  the  Moselle. 

Mr.  Haseltine  has  never  beheld  a  more  beautiful  pair  of  landscapes 
by  H.  Corrodi,  who  is  an  artist  very  highly  esteemed  in  Rome. 
They  were  selected  by  his  brother. 


286.  F.  H.  KAEHMERER,  Paris. 

The  Fete  Day — A  Young  Egyptian  Decorating  Images. 

A  fine  work  of  art  by  this,  probably,  the  best  pupil  of  Gerome.  A 
picture  about  the  size  of  this,  containing  several  moderate-sized 
figures,  is  held  in  New  York  at  $4000. 


287.  LEON  PERRAULT,  Paris. 

Medal,  1864. 

Tired  Out. 

The  art  of  Perrault  is  always  esteemed ;  and  his  many  beautiful 
works  that  have  been  exhibited  from  time  to  time,  have  caused 
the  art  public  to  look  forward  to  a  new  pleasure,  whenever  the 
announcement  is  made  that  a  picture  of  his  is  on  exhibition. 
This  assuredly  will  not  disappoint  such  expectation. 


288.  F.  MOORMANS,  Paris. 

Reading. 

One  of  the  most  attractive  pictures  in  the  exhibition  for  subject.  It 
engages  attention  from  the  skillful  manner  in  which  it  is  repre¬ 
sented.  Tone,  drawing  and  good  taste  in  all  characterize  it  as 
a  superior  work. 


n  I  289. 

\r 


ft' 


1‘ ts 

\p 


53 

CHARLES  PECRUS,  Paris. 

The  New  Song. 

A  new  and  pleasant  picture  by  a  well-known  artist. 

290.  CARL  SCHLOSSER,  Paris. 

The  Puritan  Lovers. 

Subdued  in  color  sufficiently  to  mark  the  sentiment;  unobtrusive,  it 
yet  appeals  to  the  high  artistic  sense,  and  calls  effectually  for 
highest  praise  from  loftiest  minds. 


ADRIEN  MOREAU,  Paris. 

What  shall  I  Wear? 

Moreau  is  always  happy  both  in  subject  and  treatment,  and  is  always 
delicate  and  refined  in  color.  His  admirers  are  numerous,  and 
they  esteem  his  art  at  a  justly  high  price. 


CECILE  EERRARE,  Paris. 

Le  Dejeuner. 

A  picture  of  a  high  class,  and  singularly  well  executed.  The  sub¬ 
ject  is  excellent,  and  the  painting  irreproachable. 


293. 


NOEL  SAUNIER. 


The  Visit  to  the  Ruined  Abbey. 

Visitors  to  English  or  Continental  ruins,  will  at  once  recognize  the 
faithfulness  of  the  picture.  It  may  well  be  termed  a  faithful 
picture,  not  only  in  the  rendering  of  the  subject,  but  in  the  art. 


54 


2£4.  GUSTAVE  BOULANGER,  Paris. 

p-rixe  of  Koine.  1849.  Medals.  1857,  1859  and  1853.  Cross  of  the 
Lecion  of  Honor.  1865.  Insiructor  of  the  Government  school 
of  Art.  1859. 


The  Pompeian  Maid. 


An  exquisite  little  picture. 


55 


:  :  —  299.  L.  COMELERAN,  Paris. 


The  Serenade. 


3*^*^  800. 


MORERA,  Rome. 
Unremunerated  Toil. 


A  picture  touching  iu  sentiment  and  skilful  in  execution,  and  elabo¬ 
rate  in  detail.  It  is  calculated  to  arrest  our  footsteps  and  com¬ 
mand  our  respect  and  admiration. 


S.  FAUSTINI,  Rome. 
The  Jewels. 


Beautiful  in  color,  and  fine  in  drawing  and  composition.  The  sub¬ 
ject  is  slightly  commonplace  but  interesting,  especially  to  the 
ladies. 


F.  L.  J.  MOORMANS,  Paris. 
The  Duet. 


HENRI  PIERRE  PICOU,  Paris. 

Medals,  1848  and  1857. 


Hunt  the  Ring. 


Guess  my  Name. 

These  two  pictures  are  the  originals  after  which  the  engravings  were 

made. 


56 


305. 


Prof.  CHRISTIAN  SCHUESSELE. 
G.  W.  NICHOLSON. 

Gala  Day  among  the  Water  Sprites. 


EDMUND  D.  LEWIS. 
Matanzas,  Cuba. 


he)  m 


S.  P.  DYKE. 

Scene  in  Western  Pennsylvania. 


W.  SCHULTZE,  Munich. 

The  Expectant  Friends. 

After  the  Thief. 

Two  of  the  best  pictures  of  the  Munich  school  in  the  collection. 


W.  E.  WINNER. 
Pleasures  of  Youth. 


i 


J.  C.  WIGGINS,  New  York. 
Summer  in  New  England. 


T.  J.  FENIMORE,  (deceased.) 
Sunset  on  the  Kanawha. 


Z.  GROTSTINI,  (deceased.) 
Ruins  of  Carthage. 


J.  JALON,  Paris. 
Marine. 

Off  the  French  Coast. 


S.  P.  DYKE. 
Autumn  on  the  Lehigh. 


CHARLES  BEAUMONT. 
Lake  Champlain. 


P.  SOLTAU,  Paris. 
First  Lessons. 


58 

CARL  SUHRLANDT,  Schwerin. 

After  Landseer. 

Scene  in  the  Highlands. 


CARL  SUHRLANDT,  Schwerin. 

After  Rosa  Bonlieur. 

4 

Ploughing. 


* 


FIFTH  EVENING’S  SALE 


321. 


C.  H.  SHEARER,  Reading. 
In  the  Forest. 


322. 


HERMANN  SIMON. 
Landscape  and  Cattle. 


323. 


P.  SOLTAU,  Paris. 
Young  Italian  Girl. 


324. 


CARL  SUHRLANDT,  Schwerin. 
Monk. 


60 


325.  EMANUEL  LEUTZE,  (deceased.) 

Milanie. 

Illustrating  a  poem  by  N.  P.  Willis. 


326.  GEORGE  HETZEL,  Pittsburgh. 

Scene  near  Lock  Haven. 


327.  A.  S.  WALL,  Pittsburgh. 

View  in  Western  Pennsylvania. 

328.  Ditto.  Companion. 

The  good  works  of  this  painter  until  now  have  not  been  offered  to 
the  Philadelphia  public.  It  is  to  be  hoped  that  now  they  will 
show  their  estimation  of  their  merit  by  spirited  bidding. 


329.  P.  HUGO,  Paris. 

Beautiful  Still  Life. 


330.  S.  P.  DYKE. 


Autumn  on  the  Juniata. 


61 


331.  ,T.  J.  FENIMORE,  (deceased.) 

Scene  in  Virginia. 


332.  GEORGE  HETZEL,  Pittsburgh. 

View  near  Williamsport. 


333.  A.  DE  FAUX,  Paris. 

Environs  of  Martigny. 

A  glorious  landscape  of  the  French  school  of  art. 


884- 


A.  E.  VERON,  Paris. 
The  Approaching  Storm. 

A  picture  of  very  high  merit. 


CHARLES  JOSEPH  BEAUVERIE,  Paris. 
View  at  Cernay — Department  of  Seine  et  Ooise. 


This  picture,  full  of  the  characteristics  of  Daubigny,  is  entitled  to 
the  highest  praise,  and  should  excite  the  liveliest  competition. 


EDMUND  D.  LEWIS. 
Scene  on  the  Susquehanna. 


337. 


H.  W.  KEMPER. 

View  in  the  White  Mountains. 


338. 


LOUIS  JIMINEZ,  Rome. 
The  Spanish  Cavalier. 


Another  brilliant  example  by  this  illustrious  man,  and  should  be 
competed  for  with  great  ardor. 


889 


L.  MARCHETTI,  Rome. 
The  Page. 


A  beautiful  example  by  this  artist,  and  the  only  Aquarelle  by  him  in 

the  sale. 


ALFRED  DEHODENCQ,  Paris. 

Medals,  1846  and  1853. 

Eastern  Women. 


One  of  the  few  Eastern  pictures  in  the  collection.  It  can  well  satisfy 
those  who  seek  such  subjects. 


/v 


( 


341. 


F.  LIARDO,  Rome. 
Petronella. 


A  most  attractive  Aquarelle,  and  finished  with  the  greatest  faithful¬ 
ness  and  care. 


63 


^  342.  G.  BINGAMI,  Rome. 

Italian  Woman. 

A  beautiful  Aquarelle. 


It  is  rare  to  find  in  any  country  in  an  Auction  sale,  two  specimens 
of  Fortuny,  probably  it  has  never  occurred  before.  Although 
sketchy,  it  cannot  fail  to  impress  upon  the  minds  of  connoisseurs 
the  qualities  which  make  the  master  eminent. 


FORTUNY,  Rome. 
Scene  in  Spain. 


344.  FIRMAN  GIRARD,  Paris. 

Medals,  1863  and  1872. 

Wounded. 

A  picture  of  the  greatest  power. 


J.  G.  YIBERT,  Paris. 

Medals,  1864,  1867  and  1868. 

The  Matadore. 


Certainly  as  brilliant  a  little  picture  as  has  ever  been  produced  by 

this  artist. 


346. 


P.  SAUYAGE,  Paris. 
The  Industrious  Maid. 


MIHALY  MUNKACSY,  Dusseldorf. 
The  Tired  and  Sleeping  Workman. 


jP 


i 

t 


In  the  Salon  of  18*70,  an  artist  before  unknown  exhibited  a  picture. 
It  was  so  excellent  that  it  was  accorded  a  first  class  medal ;  and 
so  much  was  his  work  praised  and  admired,  that  the  unknown 
artist  became  suddenly  one  of  fame  and  reputation,  and  his  art 
commanded  high  returns.  The  artist  was  Munkacsy.  This  of 
course  is  only  a  splendid  study. 


j 


348.  C.  N.  HOFNER,  Munich. 

Sheep  in  the  Stable. 


A  very  interesting  work. 


J.  J.  EYRES,  London. 
American  Game  Birds. 


English  Game  Birds. 


P.  KOELMAN,  Rome. 

Summer  Pastimes  of  the  Roman  Peasants. 

This  picture  is  not  a  new  importation,  but  has  long  delighted  a 
private  family  in  our  midst.  It  has  been  held  at  a  high  price, 
and  it  is  hoped  that  there  are  many  who  will  appreciate  its  ex¬ 
cellencies. 


65 


G.  FERRARI,  Rome. 
The  Lesson. 


NICHOLAS  RIBOT,  Paris. 
The  New  Magazine. 


A  choice  example  of  an  illustrious  artist,  and  should  be  bought  by 

connoisseur. 


y  355. 


C.  A.  DRINKER. 
Chinese  Objects  of  Art. 


OTTO  WEBER,  Rome. 

Medals,  1864  and  1869. 


a 


5’  %  357. 


Landscape  in  Tuscany. 


S.  CORRODI,  Rome. 
Bay  of  Naples. 


F.  FRANZ,  Paris. 
Scene  in  France. 


66 


S.  CORRODI,  Rome. 
Naples. 


Y.  MALBRANCHE,  Paris. 

Environs  of  Yertefeulle,  with  French  Soldiers. 


FRANK  REHN. 
Night. 


L.  TIMMERMANS,  Brussels. 
Ostende. 


EDMUND  D.  LEWIS. 
Pottsville. 


363. 


LEON  CAILLE,  Paris. 
Early  Teaching. 


A.  BODIN,  Paris. 

The  New  Dress. 

Finished  in  the  style  and  with  the  elegance  of  Toulmouche. 


67 


FELIX  ZIEM,  Paris. 

Medals,  1851,  1852  and  1855;  Cross  of  the  Legion  of  Honor,  1857. 


Venice. 


Although  not  the  most  important  picture  by  Ziem,  it  is  one  in  his 
very  best  style,  and  calculated  to  give  pleasure  to  its  possessor, 
whoever  and  wherever  he  may  be. 


W.  S.  HASELTINE,  Rome. 
View  from  the  Island  of  Capri. 


A  beautiful  place  at  a  beautiful  time  of  the  year,  and  also  a  beauti¬ 
ful  time  of  the  day.  It  is  also  a  good  representative  picture  of 
the  artist. 


C.  KUWASSEGr,  Fils,  Paris. 
Havre. 


The  paintings  of  Kuwasseg,  fils,  are  amongst  the  most  popular  of  all 
the  pictures  that  are  offered  in  this  country  by  foreign  artists. 


368.  OTTO  WEBER,  Rome. 

Medals,  1864  and  1869. 

Driving  Cattle  in  Northern  Italy. 

Almost  all  of  Weber’s  pictures  are  splendid,  and  of  the  best  quality. 
Every  collector  of  the  best  works  of  the  masters  should  possess 
one. 


68 


ALFRED  WAHLBERG,  Paris. 

Medals,  1870,  1872  and  1873. 

Landscape — Brittany. 


citing  the  interest  and  expectations  of  amateurs  as  this  artist, 
■who  is  here  represented  by  his  most  important  and  greatest  work. 


/  » >  1  * 
/  ,  370 


A.  DE  FAUX,  Paris. 

Landscape  and  Cattle. 

This  beautiful  scene  in  Picardie,  ranks  De  Faux  afresh  as  one  of  the 
best  landscape  artists  of  France. 


372. 


A.  R.  VERON,  Paris. 
Landscape  View  in  Normandy. 
View  in  Lorraine. 


A  pair  of  landscapes  of  the  most  artistic  description,  and  worthy  of 
the  attention  of  those  most  cultivated  and  educated  in  art. 


373. 


NARCISSE 

Medals,  1844,  1846, 


DIAZ  DE  LA  PENA,  Paris. 

1848.  Cross  of  the  Legion  of  Honor,  1851. 

Eastern  Women. 


The  prices  of  the  works  of  Diaz  have  doubled  in  Paris  during  the 
past  year,  and  it  will  not  be  long  before  they  will  command  the 
rates  paid  for  the  best  works  of  the  most  expensive  masters. 


i 


69 


l  374.  .  CONSTANT  TROYON,  (deceased.) 

S’  Medals,  1838,  1840,  1846,  1848  and  1855.  Cross  of  the  Legion  of 
jr  Honor,  1849. 

On  a  Branch  of  the  Moselle. 

This  celebrated  and  exquisite  work,  painted  in  Troyorfs  best  period, 
when  he  combined  power  and  force  with  beauty  of  detail  and 
finish,  is  worthy  of  the  master  of  Rosa  and  Auguste  Bonheur  and 
Van  Marcke.  The  unusual  beauty  of  the  subject  cannot  fail  to 
commend  it  to  the  buyers  of  the  best  art. 


3 W  FLORENT  WILLEMS,  Brussels. 

Medals,  1844,  1846.  Cross  of  the  Legion  of  Honor,  1853.  Medal, 
First  Class,  1855.  Officer  of  the  Legion  of  Honor,  1864.  Medal, 
First  Class,  1867,  E.  U. 

Good  News, 

It  is  only  necessary  to  say  that  this  is  one  of  the  most  splendid  and 
important  of  all  the  works  of  the  artist. 

JULES  WORMS,  Paris. 

,  1868  and  1869.  Cross  of  the  Legion  of  Honor,  1873. 

The  New  Servant. 


The  quality  of  this  important  work  is  of  the  very  highest  order,  and 
v  artistically  it  is  not  surpassed  by  any  work  extant  by  the  artist. 


EUGENE  FICHEL,  Paris. 


Medals,  1857,  1861  and  1869. 


The  Discussion. 


One  of  the  very  finest  efforts  of  this  celebrated  painter 


70 


378.  WILLIAM  ADOLPHJE 

Prize  of  Rome,  1850;  Medals, 
Legion  of  Honor,  1859. 


BOUGUEREAU, 

1855,  1857  and  1867. 


Paris. 

Cross  of  the 


The  Vintage  Maicl. 


If  there  is  one  artist  more  than  another  whose  name  and  works  are 
familiar  to  American  buyers,  it  is  certainly  Bouguereau.  Not 
only  is  he  known,  but  his  productions  are  always  in  the  greatest 
demand  and  command  the  most  exalted  rates.  This  is  a  superb 
example. 


CARL  MULLER,  Dusseldorf. 

Gold  Medal  of  Prussia,  1869. 

Happiness  and  Charity. 

Very  small  pictures  by  this,  the  most  famous  artist  of  this  class  of 
subjects,  have  been  sold  for  enormous  sums,  It  is  probable  that 
no  more  important  work  by  Carl  Muller  was  ever  in  the  United 
States. 


LADISLAS  BAKALOWICZ,  Paris. 

In  the  Boudoir. 

Certainly  one  of  the  largest  pictures  ever  exhibited  in  this  country 
by  this  illustrious  painter. 


W.  AMBERG,  Berlin. 
Abstraction. 


A  picture  of  fine  subject  and  quality,  and  well  calculated  to  adorn 
any  dwelling. 


71 


384. 


ZACHERIE  NOTTERMANN,  Paris. 

Watching  and  Waiting. 

L  fine  example  of  the  best  of  all  the  dog  painters. 


J.  SAUERFELT,  Brussels. 
Rouen. 


This  is  the  largest  and  most  important  painting  by  Sauerfelt  in  the 

collection. 


386- 


R.  HEBER  REED,  (deceased.) 
Christmas. 


72 

W.  E.  WINNER. 
Healthful  Pleasure. 


HENRI  GIRARDET,  Paris. 
Stable  Interior. 


TREVOR  McCLURG,  Pittsburgh. 

After  Coutoure. 

Page  and  Hawk. 

This  excellent  copy  of  the  most  famous  picture  by  Coutoure 
pronounced  by  that  great  artist  himself,  as  the  best  copy 
made  of  the  painting. 


THOMAS  SULLY,  (deceased.) 
Domesticity. 

This  is  one  of  the  most  important  works  of  Sully. 


B.  DURANI,  Florence. 
Luscious  Fruit. 


73 


MILNE  RAMSEY. 
Objects  of  Art. 


One  of  this  artist’s  most  important  works. 


74 


S.  P.  DYKE. 

Autumn  on  the  Upper  Potomac. 


E.  D.  LEWIS. 

On  the  Susquehanna. 


CHARLES  BEAUMONT. 
Autumn  on  Seneca  Lake. 


75 


SIXTH  EVENING’S  SALE. 


P.  PRIER. 


View  in  the  Adirondacks. 

L.  MORTEL. 

Echo  Lake. 

TIMMERMANS,  Brussels. 
Scene  on  the  Belgian  Coast. 


EDMUND  D.  LEWIS. 
Near  Pottsville,  Pa. 


S.  P.  DYKE. 

Scene  in  Western  Pennsylvania. 


76 


L.  NEUSTADTER,  Munich. 
The  Sisters. 


A  most  beautiful  and  careful  picture. 


// 


lU  407 ' 


V.  MALBRANCHE,  Paris. 


French  Soldiers  in  a  French  Village,  during  the  Winter 


of  1870. 


A.  S.  WALL,  Pittsburgh. 
Autumn  in  the  Woods. 


HILLER,  Munich. 
In  the  German  Tyrol. 


G.  HAMPE,  Munich. 
German  Landscape. 


411. 


412. 


Prof.  A.  DOLL,  Munich. 
Winter  Scene  in  Holland. 
Skating  on  the  Scheldt. 


418.  CHARLES  LINFORD,  Pittsburgh. 

In  the  Forest. 

The  production  of  one  of  the  best  landscape  artists  in  the  country. 


L4. 


GEORGE  IIETZEL,  Pittsburgh. 
View  near  Lebanon,  Pa. 


[h 


415. 


'hLll 


& 

I* 


v' 

if 

:  4i6. 


H.  BENNECKENSTEIN,  Munich. 
Sunset  on  the  Rhine. 


H.  COOMANS,  Paris. 

Holy  Family. 

A  perfect  gem,  and  worthy  of  the  oid  masters  ;  exquisite  in  finish  and 
every  detail  ;  careful  and  beautiful  in  drawing  and  composition. 


4IT. 


H.  SINKAL,  Dusseldorf. 

Inspiration, 

Nothing  could  be  finer  than  the  delicacy  and  finish  of  this  picture. 


78 


18.  "  J.  G. 


MEYER  YON  BREMEN,  Berlin. 

Gold  Medal  of  Prussia,  1850. 

Rest  for  the  Weary. 


A  fine  example  in  subject  and  quality  of  this  painter,  whose  works 
are  so  difficult  to  obtain,  being  very  scarce  and  very  dear. 


J.  B.  A.  E.  BERANGER,  Paris. 

Medals,  1846  and  1848. 

The  Little  Laundress. 


Like  the  other  specimen  of  this  artist  in  this  sale,  this  is  an  example 
of  the  very  highest  class. 


PIERRE  VAN  SCHENDEL,  Antwerp. 

Medals,  1844  and  1847. 


3 


Market  Scene,  Amsterdam. 

Since  the  death  of  Van  Schendel,  his  works  are  becoming  very  rare, 
and  are  exceedingly  high  in  price.  This  is  truly  a  fine  work. 


CHARLES  BRUN,  Paris. 

Medal,  1868. 

The  Armenian  Mother. 


This  was  Brun’s  representative  picture  in  the  collection  of  art  con¬ 
tributed  for  the  benefit  of  Chicago. 


422. 


DAVID  COL,  Brussels. 
The  Wine  Tasters. 


Certainly  a  more  brilliant  picture  by  this  artist  has 
the  public  for  years. 


423.  CHARLES  CHAPLIN,  Paris. 


not  been  before 


Medals,  1851,  1852  and  1865.  Cross  of  the  Legion  of  Honor,  1865. 

The  Pretty  Waitress. 


The  works  of  Chaplin  are  so  well  known  as  scarcely  to  require  com¬ 
ment,  besides  which  in  another  part  of  the  Catalogue,  sentiment 
is  expressed  in  reference  to  his  work. 


JULES  RICHOMME,  Paris. 

Medals,  1840, 1842,  1861  and  1863.  Cross  of  the  Legion  ofHonor,  1867. 

At  the  Font. 


Although  Richomme  has  been  famous  for  twenty-three  years,  yet  so 
well  is  he  appreciated  in  Europe  that  but  few  of  his  pictures 
have  found  their  way  to  this  country.  This  is  the  first  example 
that  Mr.  Haseltine  has  owned. 


G.  CASTIGLIONE,  Paris. 
The  Bird  Cage. 


Very  important  as  a  work  of  art,  and  very  beautiful  as  a  picture.  It 
is  rare  to  find  a  painting  so  attractive  in  every  respect. 


80 


426.  L.  ALVAREZ,  Rome. 

Scene  in  Rome — School  Children  taking  their  Morning  Walk. 

Alvarez  has  already  been  spoken  of,  in  a  previous  portion  of  the  Cata¬ 
logue,  in  reference  to  his  standing  as  an  artist,  this  example  will 
speak  loudly  in  his  praise. 


427.  ARNALDI  CORRODI,  Rome. 

The  Rest  at  Noon. 

This  painting  of  the  very  highest  class,  is  probably  the  finest  repre¬ 
sentative  work  ever  imported  by  Arnaldi  Corrodi. 


428.  ALBOY  REBOUET,  Paris. 

Le  Dejeuner. 

429.  The  Pet  Bird. 


Please  look  at  these  pictures  with  the  most  critical  eye,  and  judge 
whether  they  are  not  superb  in  subject  and  painting. 


430.  CHARLES  FRANCOIS  DAUBIGNY,  Paris. 

Medals,  1848,  1853,  1855,  1857  and  1859;  Cross  of  the  Legion  of 
Honor,  1859;  Medal,  First  Class,  1867,  E.  U. 

Twilight  on  the  Seine. 

A  perfectly  magnificent  painting,  and  one  worthy  of  the  highest 
laudations.  Only  the  master  could  so  truthfully  and  conscien¬ 
tiously  depict  this  phase  of  nature. 


81 


QjfJ)  ^ 

™  rD 

/L  432. 

r  0^ 


F.  AUGUSTE  BONHEUR,  Paris. 


Medals,  1852,  1857,.  1859,  1861  and  1863;  Cross  of  the  Legion  of 
Honor,  1867. 

Driving  Cattle  Home  in  the  Afternoon. 

It  seems  useless,  in  the  presentation  of  such  a  picture  for  criticism, 
to  say  anything  in  its  praise;  the  figures,  with  their  varied 
action — the  landscape,  so  full  of  light  and  truth,  speak  stronger 
.  ^and  fuller  and  louder  than  any  praise. 


H.  HERZOG,  Dusseldorf. 

The  Rapids  above  the  Falls  of  Niagara. 
View  near  Sawlrill,  Milford  Co.,  Pa. 


UJ v 

y  43- 


If  there  is  any  one  in  Philadelphia  who  has  the  space,  and  who  de¬ 
sires  to  hang  two  paintings  that  will  decorate  his  room,  and  give 
lasting  pleasure  to  himself,  he  should  obtain  these  pictures  at 
any  price.  It  is  seldom  that  our  American  buyers  can  have  the 
chance  of  obtaining  American  subjects  painted  by  so  illustrious 
a  European  artist. 


ALEXANDRE  DE  FAUX,  Paris. 

Beautiful  French  Landscape. 

The  name  of  the  picture  and  the  picture  itself  tell  the  story  together 
better  than  any  remarks. 


OTTO  WEBER,  Rome. 

Medals,  1864  and  1869. 

Treading  Out  the  Wheat. 


Mr.  Haseltine  considers  this  the  best  example,  in  quality,  of  the 
artist  that  has  ever  been  exhibited  in  America  to  his  knowledge. 


6 


82 


P 


4 


A.  MARCHETTI,  Rome. 

The  Market  Gardener’s  Friends. 

/ 

A  picture  that  has  attracted  great  attention  everywhere. 


3*. 


& 


//•HJ 


437. 


G.  W.  NICHOLSON. 

A  Harvest  Field  in  Berks  Co.,  Pa. 


A  beautiful  example. 


NARCISSE  DIAZ  DE  LA  PENA,  Paris. 

Medals,  1844,  1846,  1848;  Cross  of  the  Legion  of  Honor,  1851. 


The  Story  Teller. 


In  quality  and  in  color,  this  picture  cannot  be  excelled.  It  is  a 
superb  specimen  of  one  of  earth’s  greatest  living  painters,  and 
one  that  will,  in  the  years  to  come,  bring  double  the  price  de¬ 
manded  for  it  no^v. 


LOUIS  GEORGES  BRILLOUIN,  Paris. 

Medals,  1865  and  1869. 


The  Visit  to  the  Studio. 


A  glorious  picture,  and  worthy  of  all  praise.  It  is  unusual  that 
such  a  painting  by  Brillouin  is  offered  for  sale. 


83 


440. 

M 


EDOUARD  ZAMACOIS,  (deceased.) 

Medals,  1867,  1868  and  1870. 

The  Cavalier’s  Repose. 


The  works  of  Zamacois  are  becoming  exceedingly  rare,  and  those 
collectors  who  have  not  already  secured  one,  had  better  avail 
themselves  of  the  opportunities  as  they  offer,  as  there  will  soon 
be  none  upon  the  market. 


441.  CHARLES  LANDELLE,  Paris. 

Medals,  1842,  1845,  1848  and  1855;  Cross  of  the  Legion  of  Honor, 
X'"  1855. 

Haidee. 

As  choice  a  picture  as  any  one  could  wish  to  see  or  own;  and  as  an 
example  of  Landelle,  it  is  truly  first-class. 


JOSEPH  COOMANS,  Paris. 


The  Pet  Bird — a  Scene  from  the  Days  of  Pompeii. 


Perhaps  no  artist  is  better  known  through  his  engraved  works, 
which  have  stood  the  test  of  public  approbation  for  years. 


443. 


6 


L.  ALVAREZ,  Rome. 
The  Adult  Class. 


Like  No.  426,  this  is  a  specimen  of  Alvarez  of  the  very  highest  order 

of  merit. 


84 


444. 


GUSTAV  JUNDT,  Paris. 


Medals,  1868  and  1869. 

Flowers  for  the  Golden  Wedding. 

A  superb  painting,  executed  by  the  best  pupil  of  Breton,  which  ranks 
him,  in  most  respects,  the  equal  of  the  master.  It  excited  great 
interest  while  in  Paris,  and  after  being  purchased  for  America, 
could  have  been  resold  at  an  advanced  price.  It  is  needless  to 
say  that  it  is  a  very  expensive  work. 


J.  CAROLUS,  Brussels. 
The  Visit  to  the  Studio. 


One  of  the  most  interesting  of  his  pictures  ever  exhibited. 


G.  REIMER,  Munich. 
Hide  and  Seek. 

A  good  picture. 


W.  VERSCHUER,  Brussels. 


Medals,  1861  and  1866. 

In  the  Stable. 

One  of  the  best  pictures  by  Yerschuer  ever  imported. 


^nS4 


85 


448. 


JULES  GOUPIL,  Paris. 

Reverie. 

Waiting. 

A  pair  of  paintings  exceedingly  attractive,  and  rendered  as  only  Jules 
Goupil  can  do.  They  are  worthy  of  great  praise. 


G.  FERRARI,  Rome. 
Espionage. 


/  ^his  another  example  of  this  justly  celebrated  painter 


451. 


A.  MARCIIAUX,  Paris. 
The  Beautiful  Greek  Girl. 


E.  H.  MAY,  Paris. 

Medal,  1855. 

Waiting. 


453. 


M.  LA  BLANCHE,  Paris. 
Innocence. 


) 


86 


EDOUARD  RICHTER,  Paris. 


feditation. 

This  splendid  Richter  should  attract  the  notice  of  every  one  inter¬ 
ested  in  beautiful  art.  It  is  seldom  that  the  public  have  an 
opportunity  of  beholding  so  fine  a  work  of  art. 


457. 


455.  G.  FERRARI,  Rome. 


The  Music  Party. 

This  is  the  most  important  of  all  the  pictures  by  this  artist  in  the 
collection.  It  is  a  powerful  picture. 


L.  ALVAREZ,  Rome. 

Industrial  Meeting  of  Spanish  Peasants. 

Although  not  the  largest,  it  is  however  the  best  picture  by  this  artist 

in  the  sale. 


LADISLAS  BAKALOWICZ,  Paris. 
The  Tease. 

One  of  this  artist’s  best  examples. 


PHILLIPS  PARROT,  Paris. 

Medals,  1868,  1870  and  1872. 

Marguerite. 


A  picture  of  the  highest  merit. 


87 


I 


459.  CARL  SCHLOSSER,  Paris. 

In  the  Cathedral. 

\rV 

''  A  low-toned  picture,  replete  with  conscientious  art. 

ill 

/4r°  460.  JULES  MASSE,  Paris. 

The  Departure  for  the  Wars — Scene  during  the  First  Empire. 


A  choice  picture. 


T.  CHARTRAN,  Paris. 
The  Compliment. 

A  perfect  little  gem. 

LOUIS  LASALLE,  Paris. 
Feeding  the  Rabbits. 

The  Pet  Chickens. 

A  beautiful  pair  of  paintings. 


M.  LEMAIRE,  Paris. 

The  New  Song. 

A  splendid  picture  and  a  very  expensive  work. 


88 


465.  EUGENE  ACCARD,  Paris. 

The  New  Book. 


This  artist’s  pictures  are  in  great  demand,  owing  to  their  excellence. 


466. 


G.  TOESCHI,  Pere,  Rome. 
The  Visit  of  the  Cardinal. 


A  picture  of  great  merit,  by  an  artist  of  the  highest  reputation. 


467. 


F.  LIARDO,  Rome. 
Sociably  Inclined. 


A  picture,  that  by  its  humour  must  interest  both  old  and  young,  and 
by  its  art  those  who  love  art. 


468.  A.  ROMAKO,  Rome. 


Narcissus. 


The  pictures  by  this  great  painter  although  new  to  our  connoisseurs, 
cannot  fail  when  presented  to  absorb  their  interest. 


469. 


E.  H.  MAY,  Paris. 

Medal,  1855. 

The  Masquerade. 


89 


A.  MARCHAUX,  Paris. 
The  Beautiful  Neapolitan. 


HENRI  D.  ROSZCZEWSKI,  Paris. 
Objects  of  Art. 


A  beautiful  and  interesting  picture. 


RUDOLPHE  EPP,  Munich. 
“  Hush  !  He’s  Asleep.” 


0 


Nothing  by  Desgoffee  shows  more  splendid  finish,  color  and  detail. 


ETIENNE  ESBENS,  Paris. 


Arab  Soldiers. 


One  of  this  illustrious  artist’s  most  illustrious  works.  A  picture  well 
known  in  Europe  and  America. 


474.  R.  TUSQUETZ.  Rome. 

Wayside  Devotion.  * 

A  stop  must  be  made  here  to  notice  this  example  of  Tusquetz.  In 
Rome  and  Paris  the  fame  of  the  artist  is  widespread  and  recog¬ 
nized,  while  in  this  country  he  is  comparatively  unknown,  but 
cannot  remain  so  when  he  sends  such  art  as  is  contained  in  the 
two  specimens  in  this  collection.  To  say  that  this  picture  is  the 
equal  in  merit  to  the  finest  works  of  Jules  Breton,  is  not  saying 
too  much. 


90 


475. 


P.  KNARREN,  Brussels. 
Tlie  First  Toy. 


A  splendid  picture,  painted  in  the  style  of  Florent  Willems. 


, 


FRANZ  VINCK,  Brussels. 
The  Lovers. 


476. 


A  picture  with  all  the  characteristics  of  Baron  Leys,  and  excellently 
well  done  in  every  particular. 


F.  KRAUS,  Berlin. 


477. 


Gold  Medals  of  Prussia  and  Wurtemberg. 


The  Necklace. 


This  is  one  of  the  most  elegant  pictures  ever  offered  to  any  public. 
It  is  as  near  perfection  as  a  picture  can  be  brought,  and  should 
cause  the  rapturous  admiration  of  every  lover  of  art,  to  burst 
forth  in  its  praise.  It  will  undoudtedly  be  purchased  for  one  of 
our  finest  galleries. 


% 


JOSEPH  COOMANS,  Paris. 
The  Pompeian  Girl. 


478. 


'V 


J  * 


Could  it  be  possible  to  conceive  of  a  more  perfectly  elegant  paint¬ 
ing,  illustrating  this  subject,  by  Coomans,  the  great  illustrator 
of  Pompeian  life.  It  should  form  a  companion  picture  to  the 
Kraus  just  before  it. 


91 


479.  ZACHERIE  NOTERMAN,  Paris. 

The  Indignant  Mother. 

There  certainly  has  not  been  exhibited  for  years,  if  ever,  in  Phila¬ 
delphia  such  a  picture  illustrating  animal  life.  Noterman  is 
the  best  living  painter  of  such  subjects,  excepting  0.  Verlat,  of 
Antwerp. 


/  L 


R. 


480.  fUjv  '  C.  VERLAT,  Antwerp. 


Medals,  1853,  1855  and  1861 ;  Cross  of  the  Legion  of  Honor,  1868. 

Nothing  Venture,  Nothing  Have. 

A  gem  of  art. 


M.  MORTEL. 

Winter  on  the  Penobscot. 


%lo 

482. 


ALEXANDRE  CALAME,  (deceased.) 

Medals,  1859  and  1840;  Cross  of  the  Legion  of  Honor,  1841. 

Scene  in  Switzerland. 


t 


A  very  important  work. 


92 


STEFFAN,  Munich. 
The  Mountain  Stream. 


A  glorious  little  landscape,  by  one  of  Munich’s  greatest  of  paint 


A.  S.  WALL,  Pittsburgh. 
Autumn  in  the  Woods. 


GEORGE  I-IETZEL,  Pittsburgh. 
Scene  in  Western  Pennsylvania. 


CHARLES  LINFORD,  Pittsburgh. 
View  from  Nature. 


T.  ZANG. 

Winter  in  the  Country. 


* 


P.  PELTUS. 

On  the  Little  Kanawha. 


93 


489. 


L.  RICHARDS. 
Scene  in  West  Virginia. 


490.  E.  D.  LEWIS. 

View  near  Pottsville. 


